Kym Graham fills every frame of Wood Effect with a presence that is impossible to ignore, standing in a fitted olive-green wrap dress and sheer black tights before the exposed timber beams and wooden chest of a country cottage. Her dark brown hair is thick and voluminous, tumbling past her waist, and her blue eyes are framed by lashes that could cut glass. A vase of autumn flowers and a warm wall sconce set the scene, but it is Kym's Junoesque figure, the dress straining across her extraordinary bust, that anchors the room.

The wrap dress loosens and Kym draws it from her shoulders, her hands rising to cup the sheer, staggering weight of her enormous, heavy breasts, the largest and most commanding in any set on the site. She holds them with white-tipped nails, the olive fabric bunched at her waist, her expression both proud and inviting. In the closing frames she stands on the wooden chest itself, back to the camera, the black tights sheer enough to trace every curve of her thick legs and rounded bum, heeled boots planted wide, her bare back and the cascade of dark hair the last thing the set reveals. Wood Effect is a masterclass in the power of curves and confidence.