Mia Stryker perches on a wooden windowsill in a glass-walled conservatory in Vision In Black, bare winter trees visible through the panes behind her, wearing a black halter-neck mini dress and sheer black hold-up stockings with lace tops, her dark curls framing her face as she raises both arms overhead. Her tattooed sleeve is on full display, the ink running from shoulder to wrist, and black stiletto heels complete a look that is as sharp and uncompromising as the title suggests. Green lawns stretch beyond the glass, the light is cool and even, and Mia is the only source of heat in the room.

The dress is pulled down to her waist, and Mia stands tall by the window, her firm, stacked breasts bared, the halter straps hanging at her sides as the black fabric bunches around her hips. She holds the windowsill behind her, the tattoo sleeve and the sheer stockings forming dark lines against her bare torso, her posture open and commanding. In the final frames she lies back across the wooden table, topless, legs extended in the black hold-ups and heels, her curvy figure stretched out against the glass like a gallery piece mounted for display. Vision In Black is not a colour. It is a statement.